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    EXT. HALE METHODIST CHURCH - THE  DAY

    Peggy and dy arrive for the rehearsal. They leave dys

    dog in Peggys car and walk to the church.

    DY

    Tell me, why does Maggie need another

    wedding rehearsal and two days before

    the wedding? Shes already dohis.

    PEGGY

    Bob is making her visualize the

    ceremony.

    CUT TO:

    INT. HALE METHODIST CHURCH - NIGHT

    They are in the church proper now. Peggy waits in a pew as Bob

    leads Maggie and Ike up the back steps of the church.

    BOB

    (to Maggie)

    Okay, were ready. Wao have Ike

    leave now?

    Maggie turns oh "cheerful" hostility.

    MAGGIE

    No. No -- Actually, lets make Ike the

    pastor.

    IKE

    Id rather not.

    MAGGIE

    (sarcastically)

    e on, itll give you a great view.

    Its perfect.

    (seeing Peggy)

    Hey.

    Maggie<bdo>.</bdo> smiles at Bob. Ike sighs and goes with it. Bob pulls Ike

    to the head of the aisle and places him. Peggy follows Maggie

    into the foyer to get ready. dy sits with Ted at the an.

    BOB

    Team effort, Pastor Ike... dy, ready?

    (after no response)

    dy, e on.

    dy leaves to join the girls in the foyer.

    INT. CHURCH FOYER - THAT MOMENT

    On the privacy of the foyer, Peggy and Maggie talk.

    PEGGY

    Hes going to be the pastor?

    MAGGIE

    Yep. I want him to be front aer

    and to watch everything.

    PEGGY

    What happe the luau?

    MAGGIE

    (flustered)

    ... I dont even want to talk about

    the luau.

    (then seeing a hanging rope)

    Whats this?

    PEGGY

    Its for the bell.

    dy joins them.

    DY

    Bobs in a hurry.

    PEGGY

    Dont be nervous, Maggie. Let us

    visualize. Remember what Bob said?

    &quot;Be the ball.&quot;

    DY

    &quot;Sink the putt.&quot;

    PEGGY

    &quot;Make the shot.&quot;

    DY

    &quot;Nothing but .&quot;

    PEGGY

    &quot;Never say die.&quot;

    Maggie puts her hands up.

    MAGGIE

    Go!

    Peggy and dy exit. Maggie pulls the bell rope and sways back

    and forth as she rings the bell.

    INT. CHAPEL - THAT MOMENT

    It is Maggies turn to ehey all turn expetly. Too

    much time passes. Ted plays the an, then stops. Maggie

    swings bad forth in the foyer doorway.

    BOB

    Honey, are you okay?

    Maggie sting the bell and pulls herself together. She

    walks into the aisle looking a little shaky. She takes a few

    tremulous steps slowly with her eyes closed, peeking

    occasionally with one eye.

    IKE

    (taking off his jacket)

    At this pace, it could be an evening

    wedding.

    BOB

    Hold it! Hold it! I think were

    taking this too fast.

    He begins to pace.

    BOB (td)

    We o limber you up a little.

    Youre tensing.

    (thinks a moment;

    to Ike, moving him

    to grooms spot)

    You藏书网 stand here and be me so she knows

    how far shell have to go.

    (then to Maggie)

    Im going to walk with you.

    Bob goes to Maggie and walks behind her.

    BOB (td)

    Visualize! Visualize! Its game time.

    ANGLE ON:

    Maggie walking.

    BOB (td)

    You are the football. Youre spiraling

    through the air towards the hands of

    the groom.

    She proceeds down the aisle. Bob behind her.

    MAGGIE

    (eyes down)

    Yes, Im spiraling through the air.

    ANGLE ON:

    Maggie raises her eyes and sees Ike in front of her as groom.

    Ike and Maggie lock gazes. If they had to, they couldnt look

    away. All the things unspoken are now unicated -- the love,

    the longing.

    MAGGIE (td)

    I streak towards the goal line.

    Maggies pace quis.

    MAGGIE (td)

    And I land on the goal line.

    ANGLE ON:

    Bob beams to see Maggies eager arrival at Ikes side. He

    switches off the musid proceeds like a proud coach to be the

    pastor.

    BOB

    Okay, Im the pastor. Dearly beloved,

    blah, blah, blah. So on and so forth.

    Ra ta ta ta. Yabada dabada. I now

    pronounan and wife. Kiss the

    bride, badum dum.

    (then moving toward Ted)

    We have the cresdo that leads to us

    right back down the aisle and out the...

    Ike kisses Maggie. It is a world class, Olympic kiss. It is a

    kiss that ges everything and ever be taken back. It is

    a kiss you only get on your life.

    NEW ANGLE:

    Bobs smile dies. dys mouth drops open as the kiss goes on

    and on. Peggy loses trol and screams.

    BOB (td)

    Maggie!!!!?

    Like a bucket of water thrown on two dogs, Ike and Maggie are

    startled out of their kiss. They pull apart and smile at each

    other.

    ANGLE ON: Bob.

    BOB (td)

    (furious)

    If you were imagining me, you did great.

    (to Ike)

    What the hell were you doing?

    IKE

    (eyes on Maggie)

    Im sorry, Bob. She kissed me back.

    MAGGIE

    (dazed but happy)

    I kissed him back.

    BOB

    Yeah, I caught that. Want to tell me

    how long this has been going on?

    Maggie looks at Ike, wondrous, fused.

    MAGGIE

    About a minute...?

    IKE

    A little longer for me.

    MAGGIE

    Really?

    BOB

    What do you expect me to say to this?

    IKE

    How about -- &quot;I hope youll be very

    happy together&quot;?

    Bob hauls bad punches Ike in the face. Ike drops.

    BOB

    I hope youll be very happy together.

    Bob storms down the aisle and out of the church.

    MAGGIE

    (to Peggy)

    Take care of him.

    Maggie leaves.

    CUT TO:

    EXT. CHURCH - THAT MOMENT

    Bob is halfway down the walk. Maggie appears at the church door

    and calls after him.

    MAGGIE

    Bob, Im sorry!

    (half to herself)

    At least I backed out before the

    wedding. Thats progress!

    He keeps marg. Now Peggy appears o Maggie. Maggie

    calls again.

    MAGGIE (td)

    Some woman is going to make you a lot

    happier than I ..ever could...

    The words are barely out of her mouth when dy es out the

    door, rag after Bob at a full sprint.

    MAGGIE (td)

    See?

    PEGGY

    Well, Maggie -- in the words of Mrs.

    Pressman: &quot;Holy moly&quot;. Call me later.

    Peggy goes to her car. dy joins her as Bob speeds off in his

    car. Now Ike takes Peggys plaext to Maggie. Maggie turns

    to face Ike. They are both beet red, stammering and uo

    look at each other, trying to aal.

    MAGGIE

    Okay. So... what, uh... What just

    happened? Just now? Jus then? In

    there?

    IKE

    I dont know. I, uh -- I frankly dont

    even want to talk about it.

    MAGGIE

    Me, either.

    Ike GRABS Maggie and BOOM -- they are all over each other,

    kissing frantically, tongues, hands, hair, elbow, you .

    Blathering fools.

    IKE

    (blathering)

    I love you. I love you.

    MAGGIE

    <var>..</var>(blathering)

    I love you, too.

    They e up for air.

    IKE

    Wait. We have to talk. We have to do

    some talking now. Pull up a railing.

    Maggie sits on the railing, then Ike backs up<big></big> and sits on the

    opposite railing.

    IKE (td)

    You have to go down an aisle and say &quot;I

    do&quot;. You have to get married.

    MAGGIE

    To who? Are you asking me?

    IKE

    Me?

    Ike backs up to opposite railing and sits fag Maggie.

    MAGGIE

    Yes, you!

    IKE

    (thinks)

    Well, you do have the dress.

    MAGGIE

    And the church.

    IKE

    And the wedding date. Theres the two

    of us.

    (beat)

    So, you think... maybe... You have to

    go down the aisle with somebody you

    love and who love you back.

    MAGGIE

    Im okay with that.

    IKE

    So am I.

    MAGGIE

    So, well...

    They both nod and sit there smiling, sort of. The anist, Ted,

    closes the church door.

    TED

    Good night.

    Ike pulls his tape recorder out of his pocket and quietly speaks

    into it.

    IKE

    Im getting married.

    WIDE SHOT:

    They smile at each other and remain sitting. Then, silence.

    CUT TO

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