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    EXT. TROUTS BARN - THE  NIGHT

    We hear Hawaiian music. We see a truck with GUESTS drive up and

    HULA DAhrough barn slats.

    INT. TROUTS BARN - NIGHT

    Its a small barn thats been verted into a luau with a bar.

    A BAND plays for two hula dancers. The Trouts had decorated it

    as a little slice of Hawaii. There are tiki lights, numerous

    rented plastic palm trees and fiberglass copies of Hawaiian

    statuary. Strings of colored lights crisscross the ceiling.

    It looks like a Hawaiian high school gym on prom night.

    Maggies family, Mrs. Trout and people weve already met, and

    more, are here, milling around wit tropical drinks garnished

    with umbrellas. Plastic leis abound and most people have

    mao find their old Hawaiian shirts.

    As we e in, the hula dancers finish their applause and Mrs.

    Trout announces. Hula dancers stop.

    LOU TROUT

    Wele to our annual try luau. As

    you know, Betty and I got married on

    the rim of the crater, Diamond Head.

    MRS. TROUT

    (grabbing the

    microphone)

    This year, were dedig our first

    dao the soon-to-be newlyweds, the

    King and Queen of Hawaii, Maggie and

    Bob.

    The couple enters. Bob is a goody bronzed god in his King

    Kamahamela outfit. Maggie is spectacular in her authentic

    looking Harincess get-up. But her face refleone

    of the festivities around her. Every now and then, she looks up

    and glances around for Ike, hating herself for it.

    MRS. TROUT (td)

    King and Queen, dance.

    Maggie and Bob start to dance as the Quarter sings "Aloha Oe."

    MRS. TROUT (td)

    Everybody dance.

    Everybody dances.

    TIMES OUT:

    Maggie and Bob pose for pictures with some of the guests.

    MRS. TROUT

    Pictures of the King and Queen.

    Dennis poses with Maggie. Cory poses with Bob. Mrs. Trout runs

    out of film and goes to get more, leaving Peggy and Maggie alone.

    Peggy whispers to Maggie.

    PEGGY

    Lighten up, wahine.

    MAGGIE

    Lighten up, what?

    PEGGY

    This party is for you and Bob. Get

    your mind off the reporter.

    MAGGIE

    I havent seen him iy-four hours.

    It just gives me the creeps a little bit.

    Id feel better if I knew where he was.

    PEGGY

    (nods to door)

    Would it?

    ANGLE ON: Ike just entering the party. At least he tried.

    Hes got a tropical sheet ed around his pants and shirt.

    He walks to the bar and is greeted warmly by Lee. Maggie gets

    very flustered.

    PEGGY (td)

    What are you doing?

    MAGGIE

    (after a beat)

    Im going to go dah Bob.

    Because hes the man.

    (referring to her headdress)

    I like those grapes.

    Maggie dances affeately with Bob as Mr. Trout, tending

    bar, greets Ike.

    LOU TROUT

    Hey, Mr. Graham, wele to our luau.

    What  I get you?

    IKE

    You got something without a toy in it?

    TIME CUT:

    A LITTLE LATER - CLOSE ON

    A pair of expressive pantomime "A Little Grass Shack".

    PULL BACK TO REVEAL:

    Mrs. Trout is on stage, introdug hula testants. Grandma

    judges the Hawaiian dang. The party is at full tilt -- a

    little wild, a little goofy. Some guests (Bob, dy, Cory, Lee

    and Ted) do the limbo. Walter, Mrs. Pressma<dfn></dfn> turn as

    she hears him.

    IKE

    Aloha. Thats a very fetg

    headdress youre wearing.

    Ike leans into Maggie, enjoying the smell of her hair. She

    notices, but acts casual.

    MAGGIE

    Where did you disappear to?

    IKE

    Missed me bad, huh?

    TIME CUT:

    All the guests start banding their pineapple cups. Walter rises

    unsteadily, lifting his pineapple.

    MRS. TROUT

    Attention. Listen to Walter. Listen

    close, he slurs.

    (then)

    Shut up, wahines!

    WALTER

    Iradition that has grown through

    the years, it is now Toast Time! First

    up, our host, &quot;A Honey of a Beekeeper&quot;,

    Lou Trout..

    Lou Trout stands with his glass raised.

    LOUT TROUT

    May the grooms heart be filled with

    hopes and the brides feet be filled

    with lead!

    There are shouts of &quot;Hear hear!&quot; Walter roars.

    MRS. TROUT

    May the pitter-patter of little feet

    not be Maggies.

    MRS. PRESSMAN

    May the gifts be returned!

    TED

    May the back of the dress be as pretty

    as the front!

    The laughter swells and swells, led by Walter.

    ANGLE ON:

    Ike watches as Maggie takes the heat, raising her glass along

    with the others. Bob raises his glass like the good sport he is.

    Ike t believe it.

    WALTER

    You know the old saying, &quot;Youre not

    losing a daughter...&quot; Well, Id like to!

    Walter gets a bit laugh. He goes again.

    WALTER (td)

    Maggie may not be Hales lo

    running joke...

    (under her breath)

    Maggie fihe pune along with his father.

    WALTER AND MAGGIE

    -- But shes certainly the fastest.

    Uproarious laughter. Maggie looks terribly pained. Ikes had

    enough. He pushes himself to his feet. Walter is thrilled. He

    shushes the CROWD.

    WALTER (td)

    Oh, look, Mr. Graham, how about a toast?

    IKE

    I dont know, give me a minute.

    (to Maggie)

    Are you all right with this?

    MAGGIE

    Excuse me?

    IKE

    Are you all right with this? You think

    this is funny?

    MAGGIE

    Yes.

    IKE

    I dont and I dont think you should...

    BOB

    Its a joke. Theyre kidding.

    WALTER AND CROWD

    (yell)

    e on and give us a toast.

    IKE

    You wao make a toast? Okay...

    Ill give you a toast. To Maggies

    family and friends. May you find

    yourselves the bulls eye of an easy

    target. May you be publicly flogged

    for all of your bad choices and may

    your o rubbed in all of your

    mistakes...

    Ike watches their rea. The silence is deafening. All the

    guests stare at Maggie. Mortified, she holds back tears.

    MRS. TROUT

    That was funny.

    (a pause)

    But enough toasts, lets hula. Lets

    start the music up.

    She gets everyone up to bbr>..</abbr>hula. Band plays fast tune. Maggie

    walks through the CROWD doweps and outside. Ike

    follows, but Peggy grabs a coat for her. Bob watches her go as

    Cory a?pproaches.

    CORY

    Hey, Bob. I got twenty dollars bet on--

    BOB

    Not now.

    Bob rushes after Maggie.

    PEGGY

    (calling after her)

    Maggie. Maggie.

    (to Ike, handing him a jacket)

    Here. She may his. Its not

    really Hawaii.

    Ike exits. Then, Bob es over.

    BOB

    Whered Maggie go?

    PEGGY

    Oh, she just went to get me something

    from the car.

    Cory es over with Dennis to Bob and Peggy. BOB/PEGGY/CORY/

    DENNIS CHUFFA: About Bart Starr and football. (Which keeps Bob

    from going outside to follow Maggie). Bob thinks about it.

    EXT. TROUTS BARN - NIGHT

    Ike runs after Maggie. He grabs her arm and turo him.

    IKE

    Im the only goddamn person in there

    pulling for you.

    MAGGIE

    You humiliated me!

    IKE

    No, Maggie, I defended you.

    Humiliating you is what everyone else

    is doing. Its the theme of this party.

    MAGGIE

    I had it under trol. Now they feel

    sorry for me.

    IKE

    Well, they should. Because theyre

    about to watch you hang yourself again.

    Maggie has no response.

    IKE (td)

    -- Tell me something, do you really

    care about Mount Everest?

    MAGGIE

    Its fun! Its high.

    IKE

    Or the sexual habits of locusts?

    MAGGIE

    That was very iing research

    Gee was doing!

    IKE

    What kind of Dead Head gets a temporary

    tattoo?

    MAGGIE

    I already explained about that.

    IKE

    And where you ever really going to run

    the leper y in Molokai?

    MAGGIE

    (wing)

    Brian told you that?

    IKE

    Or maybe you just wao wear the

    headdress.

    MAGGIE

    Every one of those times I was being

    supportive. Something you wont

    uand.

    IKE

    Supportive? You werent being

    supportive. You were being scared.

    Just like now. You are the most lost

    woman I have ever laid eyes on.

    MAGGIE

    Lost!

    IKE

    Thats right. Youre so lo<bdi></bdi>st you dont

    even know how you like ys.

    MAGGIE

    What!?

    IKE

    With the priest, you liked them

    scrambled. With the Dead Head, fried.

    With the bug guy, poached. Now its

    egg whites only, thank you very much.

    MAGGIE

    Thats called ging your mind.

    IKE

    No, thats called not having a mind of

    your own. What are you doing, Maggie?

    You really want to let that man drag

    you up Annapuma on your honeymoon? You

    dont want to climb Annapum藏书网a.

    MAGGIE

    Yes I do!

    IKE

    No you dont. You want a man who will

    lead you down the beach with his head

    over your eyes just so you  discover

    the feel of the sand under your feet.

    You want a guy who will take you into a

    cave with a thousand dles just to

    read you a poem. You want a man to

    wake you up at dawn because hes

    burning to talk to you and he t

    wait another mio find out what

    youll say. Am I right?

    Hes laid her flat. Maggie t speak.

    IKE (td)

    Am I right?

    She fights bagry tears.

    MAGGIE

    Stop. Stop it! Im getting married on

    Sunday, and youre just trying to make

    me run! Why? Because youre a ical,

    exploitative, meaed creep who

    wouldnt know real love if it bit him

    in the armpit! And all you do is tear

    other people down and-and-and laugh at

    them, and criticize what they do,

    because youre too afraid to do

    anything yourself! I read your n.

    You never wrote one about you. Im not

    the only one whos lost and you know it!

    Am I right? Well? Am I right?

    ANGLE ON: Bob es outside.

    BOB

    Mag. Help me out here. Green Bay.

    Right guard.

    Both Maggie and Ike are breathing hard. Bob es up to Maggie

    and gives Ike a very hard look as he puts his arm around his

    fiancee.

    BOB (td)

    You know... Blocked Bart Starr, crewcut

    ... Are you okay?

    Maggie adjusts her face as best she .

    MAGGIE

    Yes.

    BOB

    Let me take you baside, okay?

    She lets him lead her away.

    MAGGIE

    Jerry Kramer.

    Ike looks at her drooped shoulder and he shakes his head and

    walks to his car

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