I put a name in an envelope

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    I put a name in an envelope, and sealed the envelope; and put that envelope in another envelope with a spittlebug and some quantity of boric acid; and put that envelope in a still larger envelope which tained also a woman tearing her gloves to tatters; and put that envelope in the mail to Fichtelgebirge. At<u></u> the Fichtelgebirge Post Office I asked if there was mail for me, with a mysterious smile the clerk said, &quot;Yes,&quot; I hurried with the envelope to London, arriving with snout the envelope in the Victoria and Albert Museum, bowing to the curators in the Envelope Room, where the ap<s></s>er hung down in thick strips. I put the Victoria and Albert Museum in a still larger envelope which I placed in the program of the Royal Danish Ballet, in the form of an advertisement for museums, boric acid, aper. I put the program of the Royal Danish Ballet into the North Sea for two weeks. Then, I retrieved it, it was hanging down in thick strips, I sent it to a mae-vask on H. dersen Boulevard, everything came out square a, I was overjoyed. I put the square,  package in a safe place, and put the safe pla a vault designed by Caspar David Friedrich, German romantidscape pa<tt></tt>inter of the last tury. I slipped the vault into a history of art (Insel Verlag, Frankfurt, 1980). But, in a vent library on the side of a hill near a principal city of Montana, it fell out of the history of art into a wastebasket, a thing I could not have predicted. I bound the wastebasket in stone, with a matchwood shroud c the stone, and placed it in the care of Charles the Good, Charles the Bold, and Charles the Fair. They stand juggling cork balls before the many-times-encased envelope, whispering names which are not the right one. I put the three kings into a new blue suit, it walked away from me most fidently.

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