PART 15
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ANGLE ON:Bob es up to Ike. He looks like hes going to punch Ike, then
abruptly holds out a rose boutonniere.
BOB
You look awful.
IKE
(sarcastically)
Thank ybbr>９９ｌｉb.</abbr>ou.
Bob hands the flower to Ike. Ike is shaking. Bob catches this
and looks up to Ike. It is a moment of hoy between the
men.
BOB
Ike. Need help?
He takes the boutonniere and puts it on Ikes lapel.
BOB (td)
Im glad its you.
IKE
Really?
BOB
I didnt want to find out I wasnt for
her in the fourth quarter.
IKE
Got any last minute advice?
BOB
(motioning to their eyes)
Maintain eye tact.
Bob turns and leaves, going down a side staircase.
IKE
(to himself)
Eye tact. Eye tact.
Out of the er of his eye, Ike sees a pictures of Christ on the
wall. He leans into the picture and whispers.
IKE (td)
Cover me.
He walks into the chapel.
INT. CHAPEL - TINUING
Ike steps up and stands o Fisher.
FISHER
(to Ike)
I have no idea what Im doing.
IKE
Your job is... the ring.
(to Fisher)
Do you have the ring?!
FISHER
I just found out Im best man! Im
lucky I have a suit... Whats wrong?
Ike gives the ring to Fisher. The Pastor approaches Ike. Ike
turns away and look out over the guests.
IKESPOV: There are most of the TOWNSPEOPLE weve e to
know, plus some NEW YORKERS for Ike, with little ponytails.
Armani wire rims, Donna Karan bodysuits. Theres a lot of
smirking, cheg out the hicks, f their stories for
cocktail hour. Elaine is in back all dressed in black, m
Ike. Mrs. Trout approaches Ike.
MRS. TROUT
You should thank Lou and I for the
wedding car -- a 63 Buick.
IKE
Thank you.
MRS. TROUT
Oh, e on. Youre practically family.
Mrs. Trout starts pig lint off Fishers jacket.
FISHER
Hello. Im Fisher.
MRS. TROUT
This doesn<u>..</u>t want to e out.
FISHER
You just pull a hair from my neck.
IKE
Mrs. Trout, go back to your seat!
INT. CHURCH FOYER - DAY
Peggy joins Maggie, who is blowing bubblegum and swaying in
front of an oscillating fan. Grandma and Walter e in.
Grandma gives her a kiss on the cheek.
GRANDMA JULIA
Good luck, Maggie.
MAGGIE
Thank you, Grandma.
Grandma leaves. Walter steps up.
WALTER
(quietly to Maggie)
Im really rooting for this one.
MAGGIE
Thank you, Dad.
Peggy turns off the fan. dy takes the bag from Maggie.
DY
Spit.
Maggie spits her bubblegum into the bag. Peggy hands Maggie her
bouquet.
PEGGY
Lets go.
MAGGIE
No sauntering down the aisle. Just
make time. Lets just get there.
dy and Peggy nod and leave. The door closes.
INT. CHAPEL - TINUING
Both extends his hand to Elaine.
ELAINE
Hi, Im Elaine from New York.
BOB
Hello. Im Bob, Maggies fourth
attempt.
ELAINE
Im sorry.
BOB
Thats okay. Theres a lid for every
pot. Besides, Im fortable with Ike.
I mean, Jack Dempsey lost his
heavyweight title to a New Yorker.
ELAINE
I know. Geunney.
The an begins to play. The anist is Ted. Grandma, Walter,
Mrs. Pressman and the Trouts watch. Mrs. Trout picks lint off of
her husbands jacket.
ANGLE ON:
dy and Peggy enter with the fident air of people who have
dohis before. They make it to the head of the aisle all too
quickly. Peggy gives Ike a wink and an encing smile.
INT. CHURCH FOYER - TINUING
The door opens and Dennis sticks his head in.
DENNIS
Theyre ready, Maggie.
MAGGIE
Just a sed.
Dennis closes the door behind him as he goes bato the
chapel. Maggie has a moment alone. She looks at back door as
possible escape route, then ges her mind. She signals the
start of the wedding by knog on the door.
INT. CHAPEL - TINUOUS
Immediately, Cory and Dennis open the doors for her entrance.
All the guests stand as Maggie ehe chapel smiling.
MAGGIES POV:
The aisle stretches before her into infinity. Faces goggle at
her from every dire. The tiny figure of Ike stands like a
bea a long way off.
NEW ANGLE:
She plunges forward with a sped-up hesitation step.
ANGLE ON:
Ike rocks imperceptibly, urging her on. Peggy and dy make
little "e on" motions. It seems to be w. Maggie
approaches rapidly. The CROWD has turned from skepticism to
looks and noises of encement.
ANGLE ON: MAGGIE
But then her feet gradually begin to slow.
ANGLE ON:
Fisher gives a little "darn, so close" look.
ANGLE ON:
But Ike is too busy maintaining eye tact. His eyes urge
Maggie closer -- loving her, willing her on.
CLOSE ON:
Maggie stops her walk, gives Ike a teasing smile, and then
resumes with her walk toward him. His face. Her face. His
face. Her face.
CLOSE ON:
Her foot inches forward. The other follows.
NEW ANGLE:
A sigh now rises from the GUESTS as Maggie closes in on Ike. He
smiles at her. She smiles at him. She is almost there... Shes
there, smiling at Ike. The Pastestures to the guests to sit
down. They do.
ANGLE ON:
Ike sneezes. She looks down and imagines she sees the carpet
splitting apart. And she bolts like a bat out of hell! In a
flurry of white, she is halfway down the aisle before Ike knows
what hits him.
ANGLE ON:
Ike stands there dazed. For a sed. Then she springs into
a, charging after her.
IKE
(yelling out)
Block the doors!
Like a general, he points to Dennis and Cory in the bad
sends them into a. The doors shut in Maggies face. But
shes a wild animal ered. She moves to the side. The
TOWNSPEOPLE stand so Ike hurry through the pew. Ike climbs
on the pews towards her as GUEST crowd the aisle, blog his
path. Like a gazelle, she leaps to the side aisle and scampers
down and away. Fisher gets on his cell phone. Ike charges from
on<df</dfn>e of the full pews, crosses the aisle and leaps across the pews
he staircase to cut her off. He grabs her veil and it
es off in his hands. Maggie disappears doweps of the
church basement. Ike fumble with the veil and jumps over the
railing, landing on Dennis toe. He follows dowairs
after her. Mrs. Pressman and Walte<cite></cite>r exge bet money.
CUT TO:
INT. CHURCH BASEMENT - TINUING
Maggie es down steps aers the church childrens Sunday
school class. A lot of KIDS And TEACHERS are doing religious
arts and crafts. As Maggie runs through:
MAGGIE
Theres a man ing down those steps
with lots of dy in his pockets. If
you tickle him, hell give dy.
She gives her bouquet to a little GIRL as she goes by. Ike es
down stairs.
IKE
Maggie!
The KIDS mob him, grabbing his pockets. Ike fights his way
through KIDS.
ANGLE ON:
Maggie as shes in the church kit and hops on ter and
heads out the window. The window is wide enough.
ANGLE ON:
Ike as he gets to the window, but Maggie is out in driveway.
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