PART 5
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INT. DINNING ROOM/MAGGIES HOUSE - NIGHTThe family dog, Skipper, steals food from the table. Walter
scolds him. Walter whacks his crab with his hammer and Ike
copies him.
WALTER (td)
Emma and I were only blessed with one
child, not for lag .
MAGGIE
This is good, Dad, dont leave anything
out.
Ikes hammer flies out of his hand. He goes to pick it up.
WALTER
So Ive e to see it as a bonus,
really, that weve been able to plan,
and pay for, so many weddings.
MAGGIE
Not this ohis ones on me.
Walter reacts.
IKE
Thats fair.
MAGGIE
Despite what you think, I dont do it
on purpose. And I have no iion of
doing it again.
BOB
Thats right, Maggie. Just keep your
eye on the ball.
Ike raises his eyebrows iion. Bob explains.
BOB (td)
Sports psychology. It was my major in
college.
IKE
Ahh.
BOB
(false modesty)
Im the towns unofficial fitness
trainer. Big advocate of the mind and
body bining for success. You could
say or you quote me, Im a glass
half full king of guy.
MAGGIE
(boasting)
Bobs the head of the P.E. department
at the high school. And he coaches the
football team. And hes climbed
Everest.
To Maggies satisfa, Ike shoots Bob a look of begrudging
respeobody whos been up Everest is a total .
IKE
(impressed)
Everest. Is that right?
MAGGIE
Twice...
IKE
Really?
MAGGIE
(stig it to Ike)
Without oxygen...
BOB
My girl likes t about me.
Bob and Maggie kiss Ike two little love-birds.
BOB (td)
Im takirekking on Annapurna on
our honeymoon.
Ike is highly amused.
IKE
How romantic.
MAGGIE
(sharply)
We think so.
IKE
Nothing like sharing your nuptial bed
with two Sherpas and a yak.
Walter cracks up, Maggie shoots Ike a look. He smiles back.
CUT TO:
INT. IKES HOTEL ROOM/INT. FISHER AND ELLIES BEDROOM (NYC)
I TELEPHONE VERSATION
Fisher and Ellie are exerg. Fisher is on a cycle mae.
Ellie does yoga stretches. Ike sits ba the couch, puts on
his glasses and watches a video taped wedding playing oV
s. Superimposed titles read "Brian Norris wedding."
IKE
(to Fisher; into phone)
You wont believe what Im looking at,
Fisher. A videotape of all three train
wrecks.
THE TV - CLOSE
Two flirls and Peggy enter a crowded church where the
groom, Brian, and his best man wait at the altar.
Now we see Maggie e down the aisle, then ast the altar.
We see Maggie move away another aisle and out of the church.
SHOCKED WEDDING GUESTS rise in horror, as she runs from this
first wedding. She drags the train boy up the sed aisle as
she leaves. Ike hangs up. He gets up to pick up the remote and
then sits back down to watch.
The tape fast-forwards to the wedding. Now Ike is looking
at a much more relaxed, hipper, backyard wedding. It says,
"Gill Chavez Wedding". He hits the fast-forward button
(sometimes slowing down).
ON TV:
We see the Carpenters backyard. It is Gill and Maggies
wedding day. The yard is crowded with a MIXTURE of Hells
Aypes, Deadheads and townspeople. The "altar" is a band
platfainst the back fence.
G..ill is waiting on the platform with a robo playing
Grateful Dead-type music. He makes an introductory speech.
Maggie steps out onto the back porch. Shes beautiful in a
hippie-type wedding ensemble. She walks with her father to a
trampoline. We see her tattoo. She jumps orampoline,
then dives into the crowd. They watch her and body surf her
over their heads to the back fence.
As she hits the stage, she looks at Peggy and Gill, then decides
to go. She jumps off the stage and runs up to a passing GUY on
a dirt bike. She jumps on and turns and waves as she rides
away. During the video, Ike scribbles: "Gill Chavez". Maggie
goes off on dirt bike. The tape fast-forwards to the last of
Maggies fiascoes.
OV
He now sees the third wedding. Its outdoors, in a tree lined
area, MUSIS plays. Ike laughs as he discovers that Maggie
approaches the altar on horseback, in a simple white dress,
wearing a of flowers. The Maid Marian look. Ike slows the
tape.
ON TV: IT SAYS, "GEE SWILLING WEDDING".
As Maggie rides down the aisle, suddenly the horse whinnies!
Maggie has kicked it in the shins. It rears and bolts,
galloping off with the bride. Ike FREEZE FRAMES the tape on an
image of Maggie, hair blowing. Although she is panic-stri,
her soul seems to shihrough in tat single frame. As Ike
stares at her, the smirk fades from his face. He just looks at
her, allowing himself to see her expression, her eyes. He t
help it.
She gets to him. Ike gets a restless look on his face. He
stares closely. The groom is Gee from the bar.
IKE
Kamikaze!
CUT TO:
EXT. TE TROUT BAKERY - THE DAY
Establishing. High angle wide shot of a bakery in Hale. Ike
exits a neighb shop and walks down the block. He pauses in
front of the bakery to take a look at Maggies truck. As he
does, a middle-aged BlaAN walks by a<q></q>nd whacks him with a
neer. Ike is stunned as she walks off. He turns to a MAN
sitting on a bench.
IKE
Did you see that?
CUT TO:
INT. THE TROUT BAKERY - TINUOUS
CLOSE ON a group of plastis and brides on a ter top.
MRS. TROUT is behind the ter helping Maggie with a sele
of grooms for her wedding cake. The groom figures are spread out<dfn></dfn>
on the ter. All sizes and colors, some attached to brides,
some solo, some tuxes, some in dinner jackets.
MRS. TROUT
This ones very popular, but oh, youve
used this one before... Brian. But I
like the white dinner jacket.
MAGGIE
No, hes no good. Too blond.
MRS. TROUT
(picks up another)
Well go with total traditional.
MAGGIE
Too dark.
Then, Ike es up behind her as she discards anroom.
IKE
But hes got the Bobsters eyes.
Maggie ges at the sound of Ikes voice.
IKE (td)
No -- the Bobsters eyes are closer set.
She ignores him and tinues her search.
IKE (c<mark></mark>ontd)
(to Mrs. Trout)
Could I have two coffees, please? And
what is that wonderful smell?
(seeing the
amon rolls)
Ill have two of those delicious
looking amon rolls.
MRS. TROUT
Sure.
(pig up a
miniature bride)
Here, Maggie. I think this makes the
best you.
Mrs. Trout steps away to get his order. Ike moves to the other
side of Maggie and picks up the bride and groom figure.
IKE
Lets see... Excuse me, isnt that cute?
Ahh...
He makes the bride figure repeatedly knock the groom figure in
the head and run away screaming.
IKE (td)
Bam, bam, bam, bam, bam! Oh, help me!
Help me! Yup! Thats her all right.
Mrs. Trout just about bursts a gut laughing. Maggie takes the
bride from Ike coldly.
MRS. TROUT
You must be that Mr. Graham fellow.
Ike turns and goes to her.
IKE
Yes, I am. And who are you?
MRS. TROUT
Betty Trout. Five dollars.
IKE
(as he pays)
Oh, Betty. I take it yoing to
be making the wedding cake and they say
youre throwing --
MRS. TROUT
(interrupting)
-- The luau fgie.
She starts pig lint off his sleeve and buttons his cuff.
MAGGIE
(all smiles for
Mrs. Trout)
Grandma made me the cutest outfit. I
t wait to show it to you.
IKE
(ical delight)
A pre-wedding luau?
MRS. TROUT
Yes. My husband and I love luaus.
Itll be fun.
Mrs. Trout turns and grabs Ikes bag taining two coffees.
IKE
Fun? Fun isnt the word.
Mrs. Trout beams. Maggie uands his answer a little better.
Mrs. Trout hands Ike his items and he pays.
MRS. TROUT
If youre still in town, you should
stop by.
MAGGIE
No, Im sure he doesnt.
IKE
(to Mrs. Trout)
Actually, I would love to e.
(taps her service bell)
Thank you. Thank you so much.
Maggie steps over, carrying her bride and groom figure choices.
MAGGIE
(exasperated)
Is that what yoing to do now?
Follow me around everywhere I go?
Ike smiles at Maggie enigmatically as he picks up his order and
heads for the door.
IKE
No.
He starts to leave with his bag. Mrs. Trout stops him.
MRS. TROUT
(handing him the
)
Your two amon rolls.
IKE
Bye, Betty. Thanks.
He leaves.
MAGGIE
Hes not a nice person.
Maggie hands Mrs. Trout her bride and broom figures. Maggie
looks at Mrs. Trout, suddenly nervous. She dashes out. Mrs.
Trout imitates Ike bamming the bride and groom, laughing.
CUT TO:
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